I’m on London – a new Speaker’s Corner

Over at Moving Brands they are trying to win a tender for a new brand for London by engaging in crowdsourcing. I feel quite sceptical to this exercise as it’s just so full of contradictions. To express the diversity, the history and the ambition of London, you have to settle on one view of diversity, one reading of the history and one vision of the future. In branding a city a region or a country, you are bound to engage in cliches and thereby cementing them. The brand has to be recognisable, so you resort to established, iconic imagery. While you may be successful in expressing and/or changing some external perceptions, it’s a very different game from building a brand that changes or expresses internal perceptions.

In his proposal for a branding exercise - a sort of general mobilisation that somewhat naively seem to view Twitter as the single most powerful channel for engaging in discourse - Scott Thomas suggests the tagline “I am London” and invites all Londoners to wear badges and T-shirts and apparel with this tagline. Basically asking a city of differences, of 7,5 million identities, to wear a uniform. The idea undermines its own basic idea, that the citizens of London make London. Not because they aspire to the same, wear the same or think the same, but exactly because they are and can express their differences. Perhaps a simple change to “You are London” would go some way to address this issue, as it would be an act of extrovert affirmation to wear for instance a T-shirt with this printed on the front. It would feel like an invitation to conversations, a welcome to visitors.

So in an act of complete contradicton, here’s my proposal for a new brand for London:

I’m on London.

My idea is to create a brand new next-generation Speaker’s Corner. More in tune with today’s channels of dissemination, it’s a digital one.
The brand tagline: “I’m on London.”
It’s a website, a hashtag, a rallying call, anything you want it to be.
It’s also a physical place. I suggest creating this by closing off Picadilly Circus to traffic and turning it into a giant interactive space. Allow people to send all kinds of messages (email, sms, twitter, videos, etc.) that are displayed on the giant LED / Video displays. “I’m on London” provides various channels, for different kinds of discourses. For the benefit of people without access to supported devices, London is fitted with “I’m on London” booths; small interactive kiosks that allow you to record, write and send off messages to the new Speaker’s Corner.
All email messages sent from the account of the Mayor of London are being displayed in real-time. Your messages too.

onlndn.jpg

London itself becomes a channel for people to let their voices be heard.
In a manner symptomatic of our age, people and businesses do not only want to be in London, they now want to be able to say: “I’m on London.”

Update: I just discovered Saffron’s work on “Visit London”. To me, this is spot-on. It works in both directions, both externally and internally, by avoiding cliches and interpretations, and foregrounding ‘factoids’. Brilliant!

Pfifferling R.I.P

Pfifferling

It was sometimes so difficult for you to breathe.
You will always remain with us.

S A N A A at the Barcelona Pavilion provokes post-apocalyptic jungle fever

With high expectations as they are one of my favourite architecture firms, I went to see Sanaa’s installation at the Mies van de Rohe pavilion here in Barcelona the other day. However, I was quite disappointed by the curved plexiglass ‘wall’ they had erected in the space. Here, minimal inserted into minimal resulted in less. It looked more interesting as a flat graphic on the poster invite.

Sanaa poster

However, the exhibition got me thinking about the space and I started imagining an installation of plants overtaking the rectangular pavilion, more plants than would really fit. And why not some animals; monkeys, snakes, and a crocodile in the little pool. Imagining the pavilion like that made me remember some architecture I encountered by chance in Österlen in south-east Sweden last summer; a series of white cubes designed by David Chipperfield and Antony Gormley as the 2008 pavilion for Kivik Art Centre placed in various landscape settings.

white cube in wood

The cube on the photo, “the Stage”, seems completely permeated by the surrounding woods. The glass and concrete structure creates a soft reflective volume. It is the architecture itself that projects the wood and makes it appear to be flowing through its space.
Could a wild jungle planted inside the Mies van de Rohe pavilion achieve the inverse effect; make the architecture appear to be passing through the openings and interstices of the vegetation?

Later, overlooking the City of Dog Poo from Montjuic, I was contemplating how our cities will look like once human beings no longer exist. Overtaken by vegetation and animals. Wild boars sleeping in decomposed mattresses. De-domesticated dogs barking from rooftops that have become the only clearings in the dense overgrowth. A fox sleeping in a washing machine. Mountain goats fighting each other in the stairs of a 12-floor concrete building. But now I realize how ridiculous this fantasy sounds; by the time humans are gone from this planet, these animals will already be extinguished long ago.

Pfifferling

Yesterday a little kitten found us on the street in Poble Nou.

pfifferling-sleeping

Grass field in a pot

Some of the plants on our balcony didn’t make it through the holidays. However, in a pot we had left filled with earth, some wild grass had taken root…

Grass field in a pot